After my last post “the Agony and Ecstasy of Chaos,” I started thinking more about DAYDREAMS.
Let’s just take a moment here – did you daydream in class, or actually, anywhere? I was always criticized for it – on report cards, and in class. “If only she would pay attention…” was the mantra that followed me from grade school through high school. As I described in my last post, I would spend much of my class time tilting […my head this way and that, trying to line up the cross bars of the window with trees, poles, or buildings outside, until the alignment of the two would make crosses, or parallel lines, or even new shapes.] Little did my teachers know that these seeming lapses was actually the start of my career as an artist!
Now, I believe that daydreaming is a wonderful and healthy thing to do. It also feels quite good! Letting the mind wander – making connections and putting things together. In our crazy and manic world, we don’t have much time for daydreaming between checking our phones, messages and emails, UNLESS we happen to be lucky enough to be an artist.
When I am looking though the lens, completely present to my seeing, it feels as delicious and wonderful as a daydream. The important piece here is that I am FOLLOWING (NOT guiding) my eyes. In daydreams we allow our minds to wander this way and that without CONTROLLING our thoughts. It is different than the crazy monkey brain that jumps all around distracting us, but rather a pleasant process that leads us . When I am photographing, and truly following my eyes, I am, as in daydreams, not controlling where I am going. At this point I am discovering – trying different relationships between forms, lines, shapes, tones, colors, etc. “WHAT HAPPENS IF….”
These connections may SOUND absurd when I THINK about them, but these visuals may lead to metaphoric seeing.
This latest work, 2019, illustrates my love and even passion for putting lines and shapes together in “nonsensical” or playful ways. I love lines intersecting, crossing, and following other lines. Currently I am working with two models, one very tall, and the other quite a bit shorter which creates an interesting visual relationship. Above, in Untitled #04-19-19-880, a leg (red light) and an arm (natural light) are combining in a way that makes no reasonable sense but creates a visually fluid dance.
In 2016, exploring how using different shapes of broken (plastic) mirrors could reshape or reform the figure, I discovered they could also define or exaggerate gestures as in Untitled #06-06-16-598, above.
The New York Times discussed this idea of daydreaming, though they called it doing nothing in this April 29, 2019 article:
Why does this approach lead to metaphorical seeing?
I will attempt to answer that in a future post –
“The eyes are the scout of the heart” Joseph Campbell