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connieimboden

For over 35 years I’ve been photographing the nude in water, often beneath the surface, & reflected in scratched partially de-silvered mirror shards

Connie Imboden
The first workshops of 2023 kick off next month wi The first workshops of 2023 kick off next month with Visual Illusions Level 1 @nordphotography_workshops ! This is a great foundation for some of the more advanced workshops later in the season, and a great opportunity for any New Year's resolutions involving more time and dedication to your work 😜
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LIVE through Zoom, every Thursday between Feb 2nd-March 30th. Details and registration link below and in bio 🙂
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Visual illusions are not only fascinating, they are powerful. It plays with the line between knowing and seeing. We think we “know” something but our eyes tell a different story. This class is about ways of exploring, discovering, developing, and utilizing the influence of illusions beyond mere tricks of seeing to compelling and poetic communication.
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Read more and register at https://www.nordphotography.com/visual-illusions-level-1
It's like a seasonal impulse, a compulsion trigger It's like a seasonal impulse, a compulsion triggered by colder weather and shorter days - the urge to look back and review the past year's worth of work. It's remarkable to me that although I'm working with much of the same materials and same approach over the course of 35+ years, each year has it's own distinctive threads, its own common themes. I can nearly identify any particular image simply by recognizing the visual elements that were recurring during any particular year. 
While I am only just beginning to consider 2022, I'm already excited to see some of the elements that are defining the essence of this year's work. One thing that has started to stand out to me is the similarities and differences connected to the bulk of 2019's work. In both years, the figures are often simplified into elegant relationships between line and shape. There is depth in the rich, dark black of the backgrounds. In 2022, however, the color palette is much cooler- practically the opposite of the striking red that I had worked with for so long. The forms are no longer hard edged, razor sharp and geometric- they have become ephemeral, mysteriously translucent. Parts of the figure merge in ways that intertwine, overlap, and fade into one another. They relate to one another, and sometimes blend in to one another, though it's not always clear just how they merge...
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#photography #fineartphotography #yearinreview
Untitled #09-02-22-65, and a detail from Braque’ Untitled #09-02-22-65, and a detail from Braque’s “Violin & Palette”, 1909.
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Throughout 2021 and 2022, I've noticed the emergence of a sort of melodic, lyrical expression in my work. Forms of the body and lines of abstracted cloth interweave and blend with one another to resemble shapes reminiscent of musical instruments. I would never have expected my images to echo the qualities of the work of the cubist movement of the early 20th century, but I was struck by this comparison of a recent photograph with Braque's "Violin and Palette". The blending of the shapes of the bodies has a similar layered, fragmented effect to the way artists like Braque and Picasso would reinterpret reality by illustrating multiple views of a subject into one depiction of it. Like the violin, there is just enough information to identify the shapes as belonging to a body, and the mirrors allow the front of a female body to blend with the back of a male body. They are a bit more ethereal than the hard edges of Braque's geometric abstractions, though I feel they have a quality more similar to that of his brushstrokes. The rounding curves of the human form are like the exterior shape of the violin, while the electric lines of the red cloth feel like strings.
It's always interesting to see these unintended connections develop, and I'm always surprised by how certain bodies of work, from one year to the next, can elicit the qualities of different movements, developments, and visual aspects from throughout art history. 
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#admiration #inspiration #influence #photography #fineartphotography #Braque
Coming up OCT 12- Visual Illusions Level 2 with @n Coming up OCT 12- Visual Illusions Level 2 with @nordphotography_workshops! 
LIVE through Zoom on Wednesdays, beginning Oct 12 and wrapping on Dec 7. Details and registration link below and in bio 🙂
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Visual illusions are not only fascinating, they are powerful. It plays with the line between knowing and seeing. We think we “know” something but our eyes tell a different story. This ONLINE course is about ways of exploring, discovering, developing, and utilizing the influence of illusions beyond mere tricks of seeing to compelling and poetic communication.
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Read more and register at https://www.nordphotography.com/course-visual-illusion-level-2
Just returned from Iceland. The combination of the Just returned from Iceland. The combination of the magical landscape and the vision of my truly talented students was powerful. Enjoy!
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@nordphotography_workshops #fineartphotography #photography #nudeinlandscape #inspired #grateful
“…for the greater part of her career, Connie’s photographs feature bodies
transfigured through distortions and reflections into strange alluring fragments and composites that lay bare the hurt, beauty and transcendence threaded through the human condition and our journey through life…”
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Last month, I was honored to attend a discussion about my work given by Kristen Hileman, a brilliant independent curator and educator. The talk, “Connie Imboden: Alchemical Photography”, was presented to the Art Seminar Group. I absolutely LOVED some of the context and connections Kristen illustrated in my images, including the quote above and these images - Untitled #11-05-18-1079, and Marcel Duchamp’s “Bride”, from 1912.
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I am pleased to share Kristen’s lecture on the video section of my website, link below and in my profile, and please share your thoughts in the comments!
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https://connieimboden.com/kristen-hileman-connie-imboden-alchemical-photography/
REIMAGINE THE HUMAN FORM in ICELAND: SEPT 11 - 16, REIMAGINE THE HUMAN FORM in ICELAND: SEPT 11 - 16, 2022, with @nordphotography_workshops
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That’s right! In just TWO MONTHS, we’re heading to Úlfjótsskáli, Iceland for a LIVE, in-person workshop! We have a 10 participant limit, so be sure to check it out and sign up before spaces are full. Scroll right to see our GORGEOUS location and accommodations, and see below for more info. Registration link in bio as well 🙂
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Black sand beaches, electric blue ice caps, dramatic fjords, volcanic craters, and seemingly endless lava fields: a STUNNING landscape that will serve as the backdrop for exploring the human form. Registration is almost full- don’t miss out on this incredible opportunity!
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https://www.nordphotography.com/icelandconnieimboden
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#photography #photographyworkshops #fineartphotography
•AUG 15 – AUG 19, 2022• We’re heading back •AUG 15 – AUG 19, 2022•
We’re heading back to Maine in 2022 for Visual Metaphors: a LIVE, 5 day in-person workshop on the beautiful coast at the @mainemedia Workshops and College! 
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Aristotle says in Poetics: “the greatest thing by far is to be a master of metaphor...”
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Metaphors are powerful yet nuanced ways to communicate. As the basis of poetry, they are highly effective in conveying complicated ideas, combining surprising images, and making profoundly moving connections.
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Metaphors are not limited to words, and in this class we will explore how visual relationships can develop compelling images. To create these metaphors we will explore various types of reflections and discover comparisons with spatial relationships.
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For more info, check out the link below or in bio! 

https://www.mainemedia.edu/workshops/item/the-visual-metaphor/

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#mainemedia #mainemediaworkshops #visualmetaphors #photography • photo by Alexis Mpaka
I had a wonderful and engaging conversation recent I had a wonderful and engaging conversation recently that brought up the question of working with the body- specifically, why? 
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My interest in photographing various disruptions and alterations of the human form began as a young, angsty art student at the @marylandinstitutecollegeofart . I had taken to creating a series of self-portraits where I experimented with cutting, scratching, and even burning negatives. This image was the result of something like a photomontage, cutting two negatives and adjoining them together in the enlarger, while placing tape on the glass to make it appear to piece together the broken image of my self.  Although it was not my intention to reveal the insecurity and identity issues I kept hidden from the outside world, these self-portraits - in retrospect - were expressions of my desire to conceal what I feared to be dark secrets, to hide my true self behind the veil of a mask. In this case, the duality of the broken individual I felt I was on the inside and the sad, quiet mask I wore to hide it on the outside. I was, of course, unaware of it at the time- it has taken many years to fully grasp the meaning behind these images and understand their significance.
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Over 35 years later, I'm still fascinated by the potential for the body to be used as a vehicle for expressing the most profound emotions – love, sorrow, anger, ecstasy. It is a powerful subject that can force us to confront ourselves and how we see the body; our reactions, our discomfort, or our attraction.  It has the potential to push us to witness the depth of our own humanity, provided we have the courage to look and the capability to see past our initial judgements, preconceptions, and visual assumptions.
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#photography #fineartphotography #blackandwhitephotography #connections #visualart
Ever since incorporating color into my work with t Ever since incorporating color into my work with the mirrors, I have been drawn to the power of the color red. Sometimes it is dominant in an image, occasionally lighting an entire figure in red, while other times its presence is a little more subtle, as in this image, Untitled #06-25-15-176. The red comes from a cloth that was draped on one side of the mirror- an inclusion that had been explored after seeing the blue of a yoga mat in the studio accidentally reflected in several images. Before then, I had never even considered using color in the space SURROUNDING the figure, nor as cloth to introduce it, but once I considered the potential I began to wonder what other colors and methods I could experiment with. 
In this image, though it's edges are hardened by the shape of mirror shards, the red feels to me like a reinterpretation of the flowing fabric incorporated into so many baroque and renaissance paintings, such as in this detail of Bacchus and Ariadne by Titian (1520-1523). Painters of these era's would use such dramatic drapery as methods of metaphor, sometimes to articulate an expression, to illustrate a more mythological environment, or even as a way to define the human form while simultaneously concealing it... and more often than not, for all of the above.
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#admiration #inspiration #influence #photography #fineartphotography #titian
Some of the latest work in the mirrors continues t Some of the latest work in the mirrors continues to bring familiar layers and forms together in ways I haven’t seen before, blurring the lines between where one body ends and another begins…
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#photography #throughthelens #fineart #transformation #illusions
A couple spots left still available for the upcomi A couple spots left still available for the upcoming Visual Illusions Level 1 with @nordphotography_workshops! 
LIVE through Zoom, every Monday between April 25th-June 13th. Details and registration link below and in bio 🙂
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Visual illusions are not only fascinating, they are powerful. It plays with the line between knowing and seeing. We think we “know” something but our eyes tell a different story. This class is about ways of exploring, discovering, developing, and utilizing the influence of illusions beyond mere tricks of seeing to compelling and poetic communication.
•
Read more and register at https://www.nordphotography.com/visual-illusions-level-1
More recent work from early 2022, continuing with More recent work from early 2022, continuing with this strange, ethereal twisting and transformation of forms. Some of these images strike me at how they almost make anatomical sense, and then the more I look at them the stranger they get…
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#photography #throughthelens #fineart #transformation
Visual Illusions Level 1 with @nordphotography_wor Visual Illusions Level 1 with @nordphotography_workshops is just around the corner! 
LIVE through Zoom, every Monday between April 25th-June 13th. More details and registration link below and in bio 🙂
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Visual illusions are not only fascinating, they are powerful. It plays with the line between knowing and seeing. We think we “know” something but our eyes tell a different story. This class is about ways of exploring, discovering, developing, and utilizing the influence of illusions beyond mere tricks of seeing to compelling and poetic communication.
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Read more and register at https://www.nordphotography.com/visual-illusions-level-1
The “Becoming” talk with @peterbruunartist and The “Becoming” talk with @peterbruunartist and @kenroysterphotography was an absolute blast! Peter is such an insightful artist and curator, and I was delighted by some of the threads he observed throughout the course of my work- including this fascinating visual connection between a very early photograph (mid-1970’s) of a tree trunk and an image from my early explorations shooting in the mirrors. 
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There’s so much more in the talk, I was truly impressed with how much ground we were able to cover in the time we had, and far too much to share here… so I’ll leave it up to you to see for yourself! Link below, and in my bio 👍
ENJOY!
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https://vimeo.com/manage/videos/689382596
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#photography #fineartphotography #blackandwhitephotography #connections #visualart
TOMORROW! Sign up for this FREE event to get the Z TOMORROW! Sign up for this FREE event to get the Zoom link and join us over space and time for a discussion on the creative path and decision making!
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The second event in a three-part series hosted by @peterbruunartist called BECOMING, @kenroysterphotography and I will be discussing our creative processes and artistic journeys through a live Zoom broadcast on March 16th, 7pm EDT. Registration is open through EventBrite via the link below and in my bio! 
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https://www.eventbrite.com/e/becoming-connie-imboden-ken-royster-tickets-253060319227?keep_tld=1
The second event in a three-part series hosted by The second event in a three-part series hosted by @peterbruunartist called BECOMING, @kenroysterphotography and I will be discussing our creative processes and decision making through a live Zoom broadcast on March 16th, 7pm EDT. This online event is FREE, and registration is open through EventBrite via the link below and in my bio!
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https://www.eventbrite.com/e/becoming-connie-imboden-ken-royster-tickets-253060319227?keep_tld=1
You’ve left footprints in my heart…😂 • #H You’ve left footprints in my heart…😂
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#HappyValentinesDay! ❤️
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#fineartphotography #blackandwhitephotography #photography
Recent work from 2022… • #photography #through Recent work from 2022…
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#photography #throughthelens #fineart #transformation
Announcing the first actual LIVE, in-person worksh Announcing the first actual LIVE, in-person workshop in over 2 years! REIMAGINE THE HUMAN FORM in ICELAND: Apr 3 - Apr 8, 2022, with @nordphotography_workshops 
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Black sand beaches, electric blue ice caps, dramatic fjords, volcanic craters, and seemingly endless lava fields: a STUNNING landscape that will serve as the backdrop for exploring the human form. Registration is almost full, but there are a couple spots still available! Link below and in bio….
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https://www.nordphotography.com/icelandconnieimboden
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I have been working on two approaches to the nude reflected: reflected in water often with the camera underwater, and reflected in scratched, broken and partially de-silvered mirrors.

Over thirty-five years of photographing this same subject may sound limiting, but I have found it to be immensely rewarding and rich. While my interest in photographing the nude reflected in mirrors and water has not changed, my life experiences continue to shape the forms and reflections I see through the lens so the images continue to evolve.

I am not fundamentally opposed to altering the image through darkroom or computer manipulation, but it is the act of exploring with my eyes that brings the intuitive process to its full potential for me. Intuition is an integral part of the creative process for me. When I make an image that becomes a “keeper,” it is because I have made a leap from what I know to an unfamiliar place full of intrigue that my conscious mind could not have taken me. The intuitive process takes me to the edge of what I know and, more interestingly, to the edge of what I don’t know.

Ultimately, my goal has always been to explore the body, not to alter it. I want to find the camera angle from which the forms can be the most interesting they can be–whatever that is. It leads me to explore angles, space, reflections, and light. I strive to make the forms make sense visually and then trust the poetry or metaphor will follow. Sometimes it does.

 

Solo Exhibitions

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2016 – Y: ART Gallery, Baltimore, MD

2015 – Infocus Galerie, Cologne, Germany

2014 – Almlof Gallery, Malmö, Sweden
JRB Art at The Elms, Oklahoma City, OK

2013 - Nordic Light International Festival of Photography, Kristiansund, Norway

2011 - Saul Mednick Gallery, Philadelphia, PA

2010 - Hargate Gallery, Concord, MA

2009 - Maine Art Museum, Bangor, ME
See+ Art Gallery, Bejing, China
Heineman Myers Contemporary Art, Bethesda, MD
Delaware Center for Contemporary Art, Wilmington, DE

2008 - Mesa Contemporary Arts Center, Mesa, AZ
Museo de Arte Contemporaneo, Valdivia, Chile
Universidad de Chilie, Santiago, Chile
Centro de la Photographie, Lima, Peru

2007 - Museo Metropolitano, Buenos Aires, Argentina
Universidad Mayor, Temeco, Chile
James Gallery, Pittsburgh, PA

2006 – Heineman Meyers, Bethesda, MD

2005 – Esther Woerdehoff Galerie, Paris, France
Infocus Galerie, Cologne, Germany

2004 – Volakis Gallery, Nappa, CA

2003 – Packard Reath Gallery, Lewes, DE
Gomez Gallery, Baltimore, MD
McDaniel College, Westminster, MD

2002 – Trinity Gallery, Atlanta, GA

2001 – Museum of Photographic Arts, San Diego, CA
JJ Brookings Gallery, San Francisco, CA
Galerie Waldburger, Berlin, Germany
Gomez Gallery, Baltimore, MD
Edward Carter Gallery, Lewes, DE

2000 – Centro de la Fotographia, Lima, Peru
Infocus Gallery, Cologne, Germany
JJ Brookings Gallery, San Francisco, CA
Bassetti Fine Art Photographs, New Orleans, LA
Emma Molina Galerie, Monterey, Mexico

1999 – Gomez Gallery Baltimore, MD
Esther Woerdehoff Galerie, Paris, France
Alan Klotz PhotoCollect, New York, NY
George Mason University, Fairfax, VA

1998 – Gomez Gallery, Baltimore, MD

1997 – Museo de Arte Comtemporaneo de Panama
Museo de las Americas, San Juan, Puerto Rico
Infocus Gallery, Cologne, Germany
Gomez Gallery, Baltimore, MD
Museo de Barquisimento, Venezuela
Museo de Arte Costarricense, San Jose, Costa Rica
Galeria del Ateneo de Valencia, Venezuela

1996 – Gomez Gallery, Baltimore, MD
Museo Alejandro Otero, Caracas, Venezuela
Witkin Gallery, New York, NY

1994 – Gomez Gallery, Baltimore, MD
Gallery Finfoto, Helinski, Finland
Galleria 13, Espace Van Gogh, Arles, France
Braggiotti Gallery, Amsterdam, Netherlands
Galleria e Libreria dell’Immagine, Milan, Italy
The University of Notre Dame, Indiana

1993 – Galerie du Chaeau d’eau, Toulouse, France
Arlington Arts Center, Arlington, VA
Washington Center for Photography, Washington D.C.
Franklin and Marshall College, Lancaster, PA

1992 – Witkin Gallery, New York, NY
Suzel Berna Gallery, Paris, France
Grauwert Gallery, Hamburg, Germany

1991 – Momediano Gallerie de Arte, Madrid, Spain
New Works Gallery, University of Illinois at Chicago
The University of the Arts, Philadelphia, PA
The Nye Gomez Gallery, Baltimore, MD
Blatant Image/ Silver Eye, Pittsburg, PA

1990 – Photo West Gallery, San Diego, CA
Iris Gallery, Boca Raton, FL

1989 – Michigan State University, East Lansing, MI
Kansas City Art Institute, Kansas City, MO

1988 – The Rosenberg Gallery, Baltimore, MD
The Booktrader’s Gallery, Philadelphia, PA

Selected Publications

 

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2018 – Plethora Magazine, "Issue #7: Automation", Copenhagen, Denmark

2017 – Baltimore Magazine, "The Puppet Master" by Gabriella Souza, February
– The OD Review, "v2.18 / Connie Imboden’s Infirm Delight"

2016 – BmoreArt, "Conversations" Episode #15: Connie Imboden, Interview with Liz Donadio
– The Baltimore Sun, October 14, Interview with Tim Smith

2015 – >>Love is…<< inFocus galerie catalogue
– Little Patuxent Review, COVER Feature, Issue 17-Winter 2015
– The Stone Mag: unveiling the secrets of transmutation, 2015 n. 0

2014 – The Photographer’s Playbook: 307 Assignments and Ideas NORMAL Magazine, No. 4, Autumn 2014

2013 – FOTO, "Connie Imboden, Reflections of Man" October 2013

2010 – Georgia Review, “Danse Macabre” Front and back cover and inside portfolio

2008 – Focus Magazine, “Fire and Water” 1/8/08
– RS Magazine “Connie Imboden” June 2008

2007 - Foto Mundo, “La Oscuradad Divina” June 2007

2006 – Baltimore Sun, Wednesday April 12, Arts & Society

2005 – Inked Magazine, cover, Spring Premiere Issue

2003 – Baltimore Sun, Sunday November 2, Arts & Society
– Baltimore City Paper, December 3
– Towson Times, December 3, Life Times

2002 – Ag, Volume 29, November, “Running Deeper: The Metamorphesis of
Connie Imboden”, A.D. Coleman
– Photovision: Art & Technique
– Foto & Video, February

2001 – Zoom, July, “Connie Imboden”, David Crosby
–Photographic, July, “Connie Imboden: Troubled Waters”, Jay Jorgensen

2000 – B&W Magazine, June Issue #7

1999 – Baltimore Magazine, September
–Baltimore Sunday Sun, September, Arts and Society
–Photo Metro, Volume 17, Issue 155

1998 – The Photo Review, Fall, Volume 21, Issue #4
–Master Breasts, Aperture Publishing

1997 – Leg, Donna Karan Inc

1995 – Women Artists, The National Museum of Women in the Arts
–Zoom Magazine, Italy
–Photodom Magazine, January “Connie Imboden: Out of Darkness”
–La Matiere L’ombre La Fiction, Jean Claude Lemagny, Bibliotheque
Nationale, France

1994 – Valokuva Finnish Photography, November, Helinski, Finland
–Tradition and the Unpredictable, Catalog for show at the Museum of Fine Arts, Houston, TX
–Photographies Magazine, January, Milan, Italy

1993 – ViewCamera, September/October

1992 – Photovision, “Archeology of the Body”, #23, Sevilla, Spain
–La Foltgrafia, “Reflejos en el Agua”, Issue #23, Barcelona, Spain
–Vis a Vis, Issue #10, Paris, France
–Photonews, “Imboden: Ein Speiegel Nach Innen”, April, Hamburg,
Germany

1991 – Fotopractica, January, Milan, Italy
–Fotografisk Tidskrift, May, Stockholm, Sweden
–Photoblatter, “Connie Imboden: Korper im Wasser”, August,
Frankfurt, Germany
–Camera and Darkroom, August, Beverly Hills, CA
–Idea Magazine, “New Wave Nude Photos”, January, Tokyo, Japan

1990 – Popular Photography, “They Still Shoot Nudes, Don’t They?”,
October, New York, NY
–Insight Magazine, February, Bristol, RI

1989 – Photo Metro Magazine, January
–Photo Design Magazine, February

1988 – Swimmers, Aperture, June
–Exploring Black and White Photography, Brown Publishers
–Photo Review, Winter, “Deep Waters – The Photographs of Connie
Imboden”
–Photo Review, Spring, “The Delaware Portfolio”

1987 – Photo Review, Summer

Selected Lectures

 

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2016 – Y: ART Gallery, Baltimore, MD

2015 – Infocus Galerie, Cologne, Germany

2014 – Almlof Gallery, Malmö, Sweden
JRB Art at The Elms, Oklahoma City, OK

2013 Nordic Light International Festival of Photography, Kristiansund, Norway

2013 DASAR National Academy of Science, Washington DC

2012 Annenberg Space for Photography, Los Angeles, CA

2010 Dali International Photography Festival, Dali, China
University of the Arts, Philadelphia, PA

2009 Maine Art Museum, Bangor ME
Delaware Center for Contemporary Art, Wilmington DE

2008 Centro de la Photographie, Lima Peru

2007 James Gallery Pittsburgh PA

2005 Esther Woerdehoff Galerie Paris France

Prior to 2004:
Jacksonville Museum of Modern Art, Jacsonville, FL
Baltimore Museum of Art, Baltimore, MD
Museumof Photographic Arts, San Diego CA
George Mason Univrsity, VA
Delaware College of Art and Design, Wilmington DE
University of Finland, Helsinki Finland
Les Rencontres d'Arles Arles, France
Washington Center for Photography, Washington D.C.
Franklin and Marshall College, Lancaster, PA

Museum Collections

 

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The Museum of Modern Art, New York, NY

The Museum of Photographic Arts, San Diego, CA

The San Francisco Museum of Modern Art, CA

The Philadelphia Museum of Art, PA

Virginia Museum of Fine Arts, Richmond, VA

The National Museum of Women in the Arts, Washington DC

The Museum of Photography, Helsinki, Finland

Museo Alejandro Otero, Caracas, Venezuela

The National Museum of American Art, Washington DC

The Baltimore Museum of Art, Baltimore, MD

The Bryn Mawr College, Bryn Mawr, PA

The Bibliotheque Nationale, Paris, France

The Bibliotheque Lyonnaise, Lyon, France

The Corcoran Gallery, Washington DC

Museum of Fine Arts, Houston, TX

Kresge Art Museum, East Lansing, MI

Galerie du Chateau d'eau, Toulouse, France

Galleria e libreria dell'immagine, Milan, Italy

Lehigh University, Bethlehem, PA

L'oeil Quiperios, Quimper, France

Ludwig Museum, Cologne, Germany

Palm Springs Art Museum, Palm Springs, CA

Peréz Art Museum Miami, FL