I’ve taught at the Maine Media Workshops for almost 30 years, and I always love sharing my thoughts and experiences after every summer workshop. Last week, I finished teaching this year’s workshop, “Illusions: Extending Vision” which was offered entirely online through Zoom
Narcissus & Me
Now, I understand the implication of writing a post called “Narcissus and Me.” But when I started the series of posts _____ and Me (see recent posts, “Francis Bacon and Me,”and “Edvard Munch and Me”) I did not think through
MASKS
The NY Times did an article on surgical face masks called…. “The Mask” It got me thinking because, well, what else is there to do? Masks are in high demand now, though we are told they do no good in
Francis Bacon & Me
My last post was on my relationship with Edvard Munch, one of many connections I have with other artists that fascinates me. Recently, a well-respected curator upon seeing my work, said that I am “having a conversation with the history
Edvard Munch & Me
There are many, many artists that I have been interested in, several artists that I admire but only a couple that have penetrated my psyche and become as much a part of me as my DNA. Munch is one of
DAYDREAMS
Daydreams and fine art
The Agony and Ecstasy of Chaos
(Any hyperbole you find in this post may be credited to my growing passion for opera…) Nothing pleases me more than when two distinct lines come together in a surprising way. They could touch, cross, form a point or run
RED and Pornography??
Since I started shooting in color in 2007, after many years as a devote black and white photographer, I have been learning about color and its affect on the “read” of the image. Once I found RED, however, it changed
What did I get in 2018?
2 new strobes, 2 new models, and lots more opera Last year was another productive journey in the course of my work as I continued to integrate more abstract forms within the mirrors. Perhaps my biggest area of growth in
Plethora Magazine, Issue #7- Automation
Plethora Magazine, based out of Copenhagen, Denmark, is a biannual publication that produces what one would consider more to be curated selections of fine art reproductions than a conventional magazine. The final format is a substantial 70x50cm (about 27.5 x