Over the years, I found that every exciting discovery made working in the water leads to thrilling revelations working in the mirrors, and vice-versa. Each body of work informs the other, and when I returned to photographing with mirrors in the early 2000's, it was as if I was equipped with a whole new visual toolkit. The subtlety of camera angle and the precision it took to find the right one in the water was well suited to pursuing the harsh angles and complicated relationships in the mirror's reflections.